KOMPOZIMI NË VEPRËN E KADARESË
Luljeta ADILI-ÇELIKU
Abstract
When you pick up the work of the colossus of letters to read, you get lost in the mastery of writing, in the beauty of the words he selects, in the greatness of the words he created. For more than eight decades on earth, he created works and left thoughts with high values for the Albanian nation, language and culture. We who lived in his time had the great fortune to be witnesses to what we saw and read and what our world-famous writer left us forever. Kadare's work is a separate institution, it is a treasure, it is a national asset. In this text, a small part of the composites created and found in the work of Ismail Kadare have been collected and analyzed from the aspect of word formation. He enriched the literary language and set high standards for it and for Albanian literature, raised it and ranked it at the highest level, equaling it with world literature and the Albanian language, giving it hundreds of new words.
It is difficult to write about Kadare in the past tense, because we grew up with his work and with him, following him in newspapers and on television. We are used to waiting for what new work we will read from him, what title he gave it, what topic he addressed, how many new words he created, how many dialectal and regional words he revived, and so on. But our writer left us many words to have among us worldwide. As we mentioned above, this paper analyzes the composites created by Ismail Kadare, collected in some of his works. This text is divided into two parts. In one part, Kadare's words are viewed from the aspect of the formation of compound words, from what type of composite they are, adverbial or determinative. Then, in the second part, these composites are divided into what grammatical category they are, into nouns with determinative or adverbial relations, into nodular and indeclinable adjectives, and so on. The paper uses an analytical method. Some of Kadare's most representative works have been read and analyzed, trying to collect the composites that were thought to have been created by him himself.
Pages: 74 - 79