Vol. 11 | No. 22-23, 2024


NEW CITIES: MODERNITY AND AS A CONTINUATION OF THE TRADITIONAL STAGE PERFORMANCE

Burim ARIFI

Abstract

Although the modernists' historiographical attempts to relate to their environment of technological architecture, Siegfried Gedeoni's Stage Performance - Time, Space and Architectur e (1941) and Rainer Banas's Theory of Design in the Age of the First Machines (1960) canonical texts for critics of After 1968, very deterministic, architectural theory did not offer its views on technology in the first edition of the field in which Sanford Quinter with Michel Feher managed to collect about twenty-three essays and projects aimed at characterizing the new "regime", the morphological difference or the physiological aspects of the classic works of modern architecture and urbanism and "sweet reurbanism", as Quinter later called it, he understands the city as an intermediate displacement for the circulation of simultaneity, information, goods and rumours, the complex formation of perceptual independence and the changed field ....

Pages: 42 - 50

DOI: https://doi.org/10.62792/ut.philosophica.v11.i22-23.p2720