UNIVERSAL DIMENSIONS IN VERIM ZENDELI`S INSTALLATIONS
Jelldez ASANI
Abstract
Visual art is increasingly becoming the subject of measurable variables of universal dimensions, which are related to the creator's consciousness, space, energy and movement. In this context, artistic installations should also be analyzed, as a self-reflective experience of Verim Zendel's art. Through this artistic approach, the author aims to examine contemporary artistic practices that operate in the combination of the traditional and the conceptual, aiming at the space that enables the separation of objects, by putting into use its three constituent dimensions such as: length, width and height. Meanwhile, time as the fourth dimension, in this case does not only apply as a linear flow, but it serves as a dimension that represents the expression of physical movement, consolidating the aesthetic value of the work.
Through his installations, Verim Zendeli imposes a kind of harmonization of visual elements, where movement in space, the perception of changes in elements over time become part of the aesthetic experience. The analysis focuses on questions related to the subjective, symbolic and spiritual function of these forms of expression, transforming the individual's relationship with the artwork. Through the installations, the viewer no longer remains a passive observer, but becomes an active part of the work, establishing a direct interaction with the environment and objects that surround him, making art a living and sensitive experience for perception. The author in question conceives this project with multidimensional works through thematic content, the variety of materials, forms and different perspectives. So, his installations, first of all, are defined by the present, and as such they capture the viewer's attention at the time they are exhibited. Therefore, we can conclude that the temporal dimension is very important for the real space of Verimi Zendel's installations.
Pages: 53 - 59